When Karam began fragmenting the linearity of his Archaic Procession into individual elements, they took a different conceptual direction. When in procession, they evoked time, both eternal and ephemeral, and passing peoples, plants, and creatures – a wealth of life forms. Fragmented, each one brought its unique character, whether engaging, symbolic, mischievous, or pensive, to its context. Karam called them Toys; experimenting with size, texture, and different materials to create a body of small, medium and large-scale sculptures.

Peacock Elephant, 2011
Polished stainless steel, 50x97x5 cm
Baby Rooster, 2011
Lacquered Buttons on a wooden base, 60x53 cm
Mimi, 2014
Polished stainless steel, 30x25x4cm
Queen of Spades, 2011
Mother of pearl buttons on wooden base, 81x54x10 cm
Couple, 2013
Polished stainless steel, 31x51x5 cm
Walking Memory, 2017
Polished stainless steel, 70x57x10 cm
Peacock House, 2011
Mother of pearl buttons on wooden base
Hannibal on an Elephant, 2013
Polished stainless steel and corten 65x44x5 cm
Pomegranate Carrier on a Wild Cat, 2013
Polished stainless steel, 65x58x5 cm
Baby Phoenician on a Camel, 2013
Polished stainless steel and corten, 65x52x5 cm
Diva on a Rhino, 2013
Polished stainless steel and corten, 65x60x5 cm
Wild Cat, 2009
Polished Stainless Steel, 150 x 210 x 25.5 cm
Desert Wind, 2009
Polished Stainless Steel, 250 x 225 x 25 cm
Desert Sand, 2009
Corten Steel, 200 x 225 x 20 cm
Miu, 2011
Polished Stainless Steel, 94 x 182 x 22 cm
Wishing Flower, 2014
Brushed Stainless Steel, 260 x 500 x 13 cm